Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 13,Ausgabe 2Indiana University Press, 1990 |
Im Buch
Ergebnisse 1-3 von 34
Seite 59
... argues that the film encodes Hitchcock's own paranoia about Commu- nist infiltration of the American government . But despite Marty's attempt to historicize the film by locating it in the Cold War politics of the 1950s , he never ...
... argues that the film encodes Hitchcock's own paranoia about Commu- nist infiltration of the American government . But despite Marty's attempt to historicize the film by locating it in the Cold War politics of the 1950s , he never ...
Seite 124
... argues , is to obscure the line between spectator / participant . In the system of representations that has come to signify the Vietnam War , she insists , " the subject can come to recognize itself only through / as spectacle : subject ...
... argues , is to obscure the line between spectator / participant . In the system of representations that has come to signify the Vietnam War , she insists , " the subject can come to recognize itself only through / as spectacle : subject ...
Seite 155
... argues that Kristeva's and Irigaray's positions are " extreme poles apart when judged from a feminist point of view " ( 104 ) ; for Grosz , contra Moi , Irigaray is far more of a feminist . Grosz argues persuasively that Irigaray claims ...
... argues that Kristeva's and Irigaray's positions are " extreme poles apart when judged from a feminist point of view " ( 104 ) ; for Grosz , contra Moi , Irigaray is far more of a feminist . Grosz argues persuasively that Irigaray claims ...
Inhalt
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
9 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action aesthetic American argues articulated artists audience Auto-Destructive Art avant-garde become body Bruno Center cinema construction contemporary context critical critique culture dance desire destruction art discourse effect emotions essay example experience female feminine feminism feminist film Freud gender Graham happening Hedda Hedda Gabler Herbert Blau homosexual homosexuals and lesbians human hysteria identity ideology Indian individual interactive issues Jean-François Lyotard Kristeva language Les Samouraïs lesbians male Mary Ann Doane masculine material means modern mother mourning narrative object painting performance art play political position postmodern practice production psychoanalysis question rape reading realism relation representation represented Routledge scene semiotic sense sexual shadow Situationist International social society space spatial speak spectator story Studies suggests symbolic television theater theatrical theory tion traditional trans University of Wisconsin-Milwaukee Valie Export Viennese actionism viewer virtual reality voice woman women writing York