Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 76
Seite 23
... woman . These detachable items , the wig and the lipstick , are components of the ideality I wanted to address . By creating an illusory woman through the voice and props , I wanted to test just where the normal falls into the obscene ...
... woman . These detachable items , the wig and the lipstick , are components of the ideality I wanted to address . By creating an illusory woman through the voice and props , I wanted to test just where the normal falls into the obscene ...
Seite 53
... woman signifies her castration , and the castration fear her sight inspires in males generates the blessedly invulnerable symbolic phallus . With Lacan , as with Freud , the sight of the castrated woman prepares the male for a promising ...
... woman signifies her castration , and the castration fear her sight inspires in males generates the blessedly invulnerable symbolic phallus . With Lacan , as with Freud , the sight of the castrated woman prepares the male for a promising ...
Seite 60
... woman often involves the exorcism of the mother ( and especially of the mother in the love object ) , the positioning , both visually and narratively , of the desired woman in the place of the helpless child ( who is " castrated " in ...
... woman often involves the exorcism of the mother ( and especially of the mother in the love object ) , the positioning , both visually and narratively , of the desired woman in the place of the helpless child ( who is " castrated " in ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing