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Seite 98
The circle , in its simplest formulation , subjects reading to a law according to which the whole makes sense only as the sum of its parts and the parts only in terms of the whole . The relevance of this law to theory formation in ...
The circle , in its simplest formulation , subjects reading to a law according to which the whole makes sense only as the sum of its parts and the parts only in terms of the whole . The relevance of this law to theory formation in ...
Seite 57
In the interests of a symbolic whole that would be shattered by her difference , female difference is obliterated . In the Lacanian instance , the literal disavowal that occurs in childhood becomes , for the adult , a symbolic one ...
In the interests of a symbolic whole that would be shattered by her difference , female difference is obliterated . In the Lacanian instance , the literal disavowal that occurs in childhood becomes , for the adult , a symbolic one ...
Seite 70
the part survives its partition because of its necessary attachment to the rest of the whole . Not only does this part avoid absorption by the frame that encloses Melanie's image ( a visual union of “ all of her ” and “ part of Mitch ...
the part survives its partition because of its necessary attachment to the rest of the whole . Not only does this part avoid absorption by the frame that encloses Melanie's image ( a visual union of “ all of her ” and “ part of Mitch ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language least literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing