Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 69
Seite 91
... tradition . But the effort to recapture a tradition by bringing it back into history has been criticized . This search for a rediscovery of lost or forgotten origins that seems to be going on now , particularly in film , has been ...
... tradition . But the effort to recapture a tradition by bringing it back into history has been criticized . This search for a rediscovery of lost or forgotten origins that seems to be going on now , particularly in film , has been ...
Seite 18
... traditional narrative and representation modes yet you defy the interpretational moves which are part of this tradition . How would you characterize this tension in your work ? Bob Yarber : All painting is representational . All ...
... traditional narrative and representation modes yet you defy the interpretational moves which are part of this tradition . How would you characterize this tension in your work ? Bob Yarber : All painting is representational . All ...
Seite 123
... traditions of criticism , the tradition of presence and the tradition of difference . The problem with the tradition of difference is that it tends to be a self - demolishing process , at least over the years . It starts out as a kind ...
... traditions of criticism , the tradition of presence and the tradition of difference . The problem with the tradition of difference is that it tends to be a self - demolishing process , at least over the years . It starts out as a kind ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing