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Seite 102
Instead of situating ourselves within a dichotomous structure , we prefer to displace questions such as these into another theoretical space : a dialectical space which straightaway ...
Instead of situating ourselves within a dichotomous structure , we prefer to displace questions such as these into another theoretical space : a dialectical space which straightaway ...
Seite 108
The paradoxical treatment of time in Superman stories re- flects the commodity structure of mass culture in late capitalism . The commodity itself has a seemingly paradoxical structure ; it is both fixed , repetitive , and standardized ...
The paradoxical treatment of time in Superman stories re- flects the commodity structure of mass culture in late capitalism . The commodity itself has a seemingly paradoxical structure ; it is both fixed , repetitive , and standardized ...
Seite 4
Similarly , the centralized figure of Mao suggests another parallel between the two works : just as Mao situates the spectator's gaze , so too in Paraguay do the theatrical pieces tend to determine the point - of - view structure ...
Similarly , the centralized figure of Mao suggests another parallel between the two works : just as Mao situates the spectator's gaze , so too in Paraguay do the theatrical pieces tend to determine the point - of - view structure ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing