Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 87
... story of a power - mad egoist whose invisibility renders him practically omnipotent , and explicitly developed in his War of the Worlds ( 1898 ) , the story of the subjugation of Earth by aliens from Mars with superhuman intelligence ...
... story of a power - mad egoist whose invisibility renders him practically omnipotent , and explicitly developed in his War of the Worlds ( 1898 ) , the story of the subjugation of Earth by aliens from Mars with superhuman intelligence ...
Seite 107
... story , Superman accomplishes a given job ( he routs a band of gangsters ) ; at this point the story ends . In the same comic book , or in the edition of the following week , a new story begins . If it took Superman up again at the ...
... story , Superman accomplishes a given job ( he routs a band of gangsters ) ; at this point the story ends . In the same comic book , or in the edition of the following week , a new story begins . If it took Superman up again at the ...
Seite 35
... story which , in all three cases , as Billie Holiday sings . over the rolling end credits , is the same old story of a boy and a girl in love , the scene , same old moonlight the time , same old June night romance's the theme .... the ...
... story which , in all three cases , as Billie Holiday sings . over the rolling end credits , is the same old story of a boy and a girl in love , the scene , same old moonlight the time , same old June night romance's the theme .... the ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing