Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 20
... spectator is an adult , so he has already gone through the real Mirror Stage , and the Symbolic already functions in him ; while in the child , it has yet to be constructed . In fact , it's a difference of age ( that is of degrees of ...
... spectator is an adult , so he has already gone through the real Mirror Stage , and the Symbolic already functions in him ; while in the child , it has yet to be constructed . In fact , it's a difference of age ( that is of degrees of ...
Seite 4
... spectator's gaze , so too in Paraguay do the theatrical pieces tend to determine the point - of - view structure ... spectator , a point of view that is ultimately recuperated by its possible attribution to the portrait of General ...
... spectator's gaze , so too in Paraguay do the theatrical pieces tend to determine the point - of - view structure ... spectator , a point of view that is ultimately recuperated by its possible attribution to the portrait of General ...
Seite 7
... spectator and character , and the seemingly arbitrary decision whether the head faces the spectator or the character / spectator of the video image . Both techniques succeed in unhinging the spectator's gaze . Vision becomes disembodied ...
... spectator and character , and the seemingly arbitrary decision whether the head faces the spectator or the character / spectator of the video image . Both techniques succeed in unhinging the spectator's gaze . Vision becomes disembodied ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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