Im Buch
Ergebnisse 1-3 von 61
Seite 11
Q : But it's not a question of what your personal situation is , it's rather a matter of scientific understanding . One thrust of the argument about psychoanalysis is that it gives you tools to overcome the determinations of your own ...
Q : But it's not a question of what your personal situation is , it's rather a matter of scientific understanding . One thrust of the argument about psychoanalysis is that it gives you tools to overcome the determinations of your own ...
Seite 20
12 I think he has underlined very smartly the likenesses between the Mirror Stage and the cinematic situation , but that he has underestimated the differences between the mirror stage and the cinematic apparatus .
12 I think he has underlined very smartly the likenesses between the Mirror Stage and the cinematic situation , but that he has underestimated the differences between the mirror stage and the cinematic apparatus .
Seite 75
24 Discourse conceived as a form of life rests in Habermas's formulation upon an “ ideal speech situation " in which consensus is implicit as an acknowledged or unacknowledged telos of discourse as such . “ The rules of communicative ...
24 Discourse conceived as a form of life rests in Habermas's formulation upon an “ ideal speech situation " in which consensus is implicit as an acknowledged or unacknowledged telos of discourse as such . “ The rules of communicative ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
4 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language least literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing