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Seite 31
Of course the main function of the sequence is to background the film's titles and credits , consequently the denoted information is limited . And while the sequence is related to the film's story conceptually , it is set apart from the ...
Of course the main function of the sequence is to background the film's titles and credits , consequently the denoted information is limited . And while the sequence is related to the film's story conceptually , it is set apart from the ...
Seite 68
And that it is the bird the camera follows after the attack has a further significance ; the three shot sequence is the bird flying in , the attack on Melanie , the bird flying off . The bird flies through its frame into Melanie's ...
And that it is the bird the camera follows after the attack has a further significance ; the three shot sequence is the bird flying in , the attack on Melanie , the bird flying off . The bird flies through its frame into Melanie's ...
Seite 100
Montage Eisenstein II : Eisenstein Taken At His Word1 by Jacques Aumont What follows is a “ reading , ” a micro - analysis of a “ sequence ” taken from Ivan the Terrible , Part 1 and Part 2 . Globally , and once again at the risk of ...
Montage Eisenstein II : Eisenstein Taken At His Word1 by Jacques Aumont What follows is a “ reading , ” a micro - analysis of a “ sequence ” taken from Ivan the Terrible , Part 1 and Part 2 . Globally , and once again at the risk of ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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