Im Buch
Ergebnisse 1-3 von 84
Seite 25
Hence , the absence of sublimation , or the absence of real “ repression " in the analytic sense . Drives have a much looser relation with their object . According to Lacan , that is one of the points of definition of drives .
Hence , the absence of sublimation , or the absence of real “ repression " in the analytic sense . Drives have a much looser relation with their object . According to Lacan , that is one of the points of definition of drives .
Seite 31
Yes , generating in a sense - not in the precise sense of generative grammar in linguistics , but in some sense . . . For instance , the problem of condensation and displacement as deep matricesgenerating in this sense for the textual ...
Yes , generating in a sense - not in the precise sense of generative grammar in linguistics , but in some sense . . . For instance , the problem of condensation and displacement as deep matricesgenerating in this sense for the textual ...
Seite 92
Translated by Lee Hildreth - particular sense given to it by Eisenstein in a. Notes > 1. Jacques Aumont , Montage Eisenstein , ( Paris : Editions Albatros , Collection Ca / Cinéma , 1979. ) , pp . 41-90 . 2.
Translated by Lee Hildreth - particular sense given to it by Eisenstein in a. Notes > 1. Jacques Aumont , Montage Eisenstein , ( Paris : Editions Albatros , Collection Ca / Cinéma , 1979. ) , pp . 41-90 . 2.
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
4 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language least literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing