Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 31
... sense - not in the precise sense of generative grammar in linguistics , but in some sense . . . For instance , the problem of condensation and displacement as deep matrices- generating in this sense for the textual linking - textual ...
... sense - not in the precise sense of generative grammar in linguistics , but in some sense . . . For instance , the problem of condensation and displacement as deep matrices- generating in this sense for the textual linking - textual ...
Seite 104
... sense . The only logical con- clusion is that Kent is not merely a put on and Superman the true identity , but that both identities are aspects of a single per- sonality each autonomous in its own realm . The schizoid relationship ...
... sense . The only logical con- clusion is that Kent is not merely a put on and Superman the true identity , but that both identities are aspects of a single per- sonality each autonomous in its own realm . The schizoid relationship ...
Seite 92
... Sense , ed . and tr . by Jay Leyda ( The World Publishing Com- pany , Meridian Books , 1968 ) . ( A new edition of ... Sense , pp . 155-216 . The diagrams referred to by Aumont in the next paragraph are to be found on a pullout sheet ...
... Sense , ed . and tr . by Jay Leyda ( The World Publishing Com- pany , Meridian Books , 1968 ) . ( A new edition of ... Sense , pp . 155-216 . The diagrams referred to by Aumont in the next paragraph are to be found on a pullout sheet ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing