Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 22
... seem to indicate that the spectator has a certain degree of control over his / her desire to be a complete " seeing " subject . Do you see a problem here ? M : This problem of the spectator walking out seems to be a very simple matter ...
... seem to indicate that the spectator has a certain degree of control over his / her desire to be a complete " seeing " subject . Do you see a problem here ? M : This problem of the spectator walking out seems to be a very simple matter ...
Seite 95
... seem to be about powerful women actually aren't - rather than just accepting that , what we wanted to do was to try to delve ... seems like the sphinx's voice takes on several discourses . Mary Kelly's is one type of discourse which is a ...
... seem to be about powerful women actually aren't - rather than just accepting that , what we wanted to do was to try to delve ... seems like the sphinx's voice takes on several discourses . Mary Kelly's is one type of discourse which is a ...
Seite 13
... seems to have been acquired by dif- ferent paths is the radical questioning of the subject as unified ( plein ) subject ( it would be better to say " completed " ( rempli ) ) : man is no longer the center of structures . But I think the ...
... seems to have been acquired by dif- ferent paths is the radical questioning of the subject as unified ( plein ) subject ( it would be better to say " completed " ( rempli ) ) : man is no longer the center of structures . But I think the ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing