Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 17
... represented , the diegesis . 11 And in terms of belief , I think that the balance is not the same in the cinema ... representing a diegesis- representing an unreal . While in the cinema , you have the im- pression ( and that is dream ...
... represented , the diegesis . 11 And in terms of belief , I think that the balance is not the same in the cinema ... representing a diegesis- representing an unreal . While in the cinema , you have the im- pression ( and that is dream ...
Seite 5
... represents to you "a certain history of semiology." Barthes: Yes. This book corresponds to a "budding" semiology ... represented by Chomsky, but also by certain analyses of Jakobson and Benveniste, a less taxonomic linguistics, since it ...
... represents to you "a certain history of semiology." Barthes: Yes. This book corresponds to a "budding" semiology ... represented by Chomsky, but also by certain analyses of Jakobson and Benveniste, a less taxonomic linguistics, since it ...
Seite 114
... represents irreversible and sig- nificant changes in man and the world , claims Suvin . The novum presents an alternate reality as an extrapolation from and an analogy to the author's social environment . Because these es- tranged ...
... represents irreversible and sig- nificant changes in man and the world , claims Suvin . The novum presents an alternate reality as an extrapolation from and an analogy to the author's social environment . Because these es- tranged ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing