Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 5
... representation of Mao . But when this mode of caricature is superimposed on the locus of vision of the figure in the painting , we witness the conjunction of the looks situated both within and without the painting . The gaze of the ...
... representation of Mao . But when this mode of caricature is superimposed on the locus of vision of the figure in the painting , we witness the conjunction of the looks situated both within and without the painting . The gaze of the ...
Seite 18
... representation modes yet you defy the interpretational moves which are part of this tradition . How would you characterize this tension in your work ? Bob Yarber : All painting is representational . All painting can be interpreted , in ...
... representation modes yet you defy the interpretational moves which are part of this tradition . How would you characterize this tension in your work ? Bob Yarber : All painting is representational . All painting can be interpreted , in ...
Seite 76
... representation , particularly cinematic representa- tion . For Schroeter the center of this representation becomes the intersecting point of beauty and pain , domination and servitude : Magdalena , the domatrice , being the force that ...
... representation , particularly cinematic representa- tion . For Schroeter the center of this representation becomes the intersecting point of beauty and pain , domination and servitude : Magdalena , the domatrice , being the force that ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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