Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 47
Seite 27
... remains dominant in non - fiction films , because of the way they are consumed . And , in some cases , even because of the way they are constructed by the filmmaker himself . Even if you wish to break with fiction , it still remains ...
... remains dominant in non - fiction films , because of the way they are consumed . And , in some cases , even because of the way they are constructed by the filmmaker himself . Even if you wish to break with fiction , it still remains ...
Seite 65
... remains necessary to investigate Habermas's own epistemology , bearing in mind the predicament that always informs it . Mathematical formalism , the only means by which we can relate to an increasingly scientized world , provides an a ...
... remains necessary to investigate Habermas's own epistemology , bearing in mind the predicament that always informs it . Mathematical formalism , the only means by which we can relate to an increasingly scientized world , provides an a ...
Seite 70
... remains whether Marx deserves this remonstrance , whether Marx's un- doubted concentration upon labor as an ontological category is indeed at the direct expense of a theory of consciousness worthy of the name , as Habermas thinks it is ...
... remains whether Marx deserves this remonstrance , whether Marx's un- doubted concentration upon labor as an ontological category is indeed at the direct expense of a theory of consciousness worthy of the name , as Habermas thinks it is ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia articulation Barthes become Bellour Cahiers du cinéma camera castration Christian Metz cinema cognitive concept connotation construction critical critique cultural denotation desire dialectic diegesis diegetic discourse effect Eisenstein Eisensteinian example fact fantasy feminine feminism feminist fetishism film filmic filmmakers Foucault fragment frame Freud function genre Habermas Habermas's hermeneutics human identification ideological imaginary Ivan Jacques Lacan Jean-Louis Baudry kind Lacan language Laura Mulvey literary literature look male Marx Marxist meaning Melanie metaphor Mitch montage mother movement myth narrative nature notion object Oedipal organicism penis Penthesilea phallus political practices precisely problem produced psychoanalysis question relation relationship representation Roland Barthes Schroeter science fiction sense sequence sexual shot signifier social society specific spectator sphinx story structure Superman Suvin Syberberg symbolic theme theoretical theory things tion Ulrike Ottinger woman women words