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Seite 9
9 jective , concrete reality of the social relations of production with a theory of the subject as it is produced in the cinema ... And perhaps on this point I could add something : the relation is not the same , not completely parallel ...
9 jective , concrete reality of the social relations of production with a theory of the subject as it is produced in the cinema ... And perhaps on this point I could add something : the relation is not the same , not completely parallel ...
Seite 25
The difference is that , with the needs , there is a very strong relation with the object . Hence , the absence of sublimation , or the absence of real “ repression " in the analytic sense . Drives have a much looser relation with their ...
The difference is that , with the needs , there is a very strong relation with the object . Hence , the absence of sublimation , or the absence of real “ repression " in the analytic sense . Drives have a much looser relation with their ...
Seite 26
62 I would argue here that the power of this history making ability , as it mediates the relation between this subject and her / his objects in the imaginary / symbolic realms ( as those relations have been constructed in Western ...
62 I would argue here that the power of this history making ability , as it mediates the relation between this subject and her / his objects in the imaginary / symbolic realms ( as those relations have been constructed in Western ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language least literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing