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Seite 10
Certain relations , such as the point of circulation of money within the cinema industry and the problem of the motivation in the spectator - motivation to be willing to pay to enter the cinema .... Q : This brings up the metapsychology ...
Certain relations , such as the point of circulation of money within the cinema industry and the problem of the motivation in the spectator - motivation to be willing to pay to enter the cinema .... Q : This brings up the metapsychology ...
Seite 11
M : Yes , that's the problem . It's really difficult for a man to take a feminist position here ; not exactly " feminist , " rather feminine , because man is not woman . Q : But it's not a question of what your personal situation is ...
M : Yes , that's the problem . It's really difficult for a man to take a feminist position here ; not exactly " feminist , " rather feminine , because man is not woman . Q : But it's not a question of what your personal situation is ...
Seite 76
What this way of posing the issue suggests is that many of the problems raised by a Kantian transcendentalism ... Habermas's answer , which is to emphasize the pragmatic structure of communication , merely shifts the problem onto ...
What this way of posing the issue suggests is that many of the problems raised by a Kantian transcendentalism ... Habermas's answer , which is to emphasize the pragmatic structure of communication , merely shifts the problem onto ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing