Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 10
... problem of the motivation in the spectator - motivation to be willing to pay to enter the cinema .... Q : This brings up the metapsychology of the spectator , which relates to a point that we mentioned before - the question of the ...
... problem of the motivation in the spectator - motivation to be willing to pay to enter the cinema .... Q : This brings up the metapsychology of the spectator , which relates to a point that we mentioned before - the question of the ...
Seite 76
... problem onto another level . The structure of discourse can be said to be free from constraint ( or distortion or domination ) , he tells us , only if there is a fair ( i.e. , symmetrical ) distribution of chances to select and use ...
... problem onto another level . The structure of discourse can be said to be free from constraint ( or distortion or domination ) , he tells us , only if there is a fair ( i.e. , symmetrical ) distribution of chances to select and use ...
Seite 111
... problem - other women have the same problem and they talk about organizing day - care , which is a kind of " glimmering " of political action on her part . But then , various things happen : One is that women's situation in the labor ...
... problem - other women have the same problem and they talk about organizing day - care , which is a kind of " glimmering " of political action on her part . But then , various things happen : One is that women's situation in the labor ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing