Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 68
Seite 122
... present this argument as a " simple " argument , and then proceed to dismiss it as " simple - minded " ( J - HJ , p . 256 , Windhover Edition ) : " What necessitates calling the above ( i.e. , “ my ” argument , that you present so ...
... present this argument as a " simple " argument , and then proceed to dismiss it as " simple - minded " ( J - HJ , p . 256 , Windhover Edition ) : " What necessitates calling the above ( i.e. , “ my ” argument , that you present so ...
Seite 18
... present , instead of uncons- ciously causing the present to emerge in the past . Today we know that the Night of August 4 , 1789 , was not merely the hysterical masquerade which Raymond Aron saw in the university student assemblies held ...
... present , instead of uncons- ciously causing the present to emerge in the past . Today we know that the Night of August 4 , 1789 , was not merely the hysterical masquerade which Raymond Aron saw in the university student assemblies held ...
Seite 19
Berkeley Journal for Theoretical Studies in Media and Culture. historian of the present . Even when the historian of the present is proven wrong by sub- sequent events , even when they make a mockery of his / her provisional attributions ...
Berkeley Journal for Theoretical Studies in Media and Culture. historian of the present . Even when the historian of the present is proven wrong by sub- sequent events , even when they make a mockery of his / her provisional attributions ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing