Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 125
... precisely by creatively negating the mun- dane , expected uses of linguistic components ; the pleasurable shock of " difference " ( literary jouissance ) we get with the reading of SF signifiers occurs precisely because of the ...
... precisely by creatively negating the mun- dane , expected uses of linguistic components ; the pleasurable shock of " difference " ( literary jouissance ) we get with the reading of SF signifiers occurs precisely because of the ...
Seite 55
... precisely such and such an object and no other - of an object precisely from this point of view with this " framing " ( Ausschnitt , as the Germans say ) , and not another . And the cinematic conditions create the " image- figure " from ...
... precisely such and such an object and no other - of an object precisely from this point of view with this " framing " ( Ausschnitt , as the Germans say ) , and not another . And the cinematic conditions create the " image- figure " from ...
Seite 77
... precisely all the processes against which the idea of attraction , in all its violence , was conceived , this , Eisenstein tells us , is a simple tactical ruse , the processes in question being in fact submitted to a real " diversion ...
... precisely all the processes against which the idea of attraction , in all its violence , was conceived , this , Eisenstein tells us , is a simple tactical ruse , the processes in question being in fact submitted to a real " diversion ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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