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Seite 52
As such cinema differentiates itself from other practices in that it is designed to produce a pseudosubject , which every spectator appropriates as his very own . It is a form of discourse spoken by no one and yet assumed by many ...
As such cinema differentiates itself from other practices in that it is designed to produce a pseudosubject , which every spectator appropriates as his very own . It is a form of discourse spoken by no one and yet assumed by many ...
Seite 53
As such cinema differentiates itself from other practices in that it is designed to produce a pseudosubject , which every spectator appropriates as his very own . It is a form of discourse spoken by no one and yet assumed by many ...
As such cinema differentiates itself from other practices in that it is designed to produce a pseudosubject , which every spectator appropriates as his very own . It is a form of discourse spoken by no one and yet assumed by many ...
Seite 96
of perception led to women's reappraisal of systems which centralize , abstract , universalize , and discipline : it led to a reexamination of the concept of rationality itself.19 The practices of the consciousness - raising groups ...
of perception led to women's reappraisal of systems which centralize , abstract , universalize , and discipline : it led to a reexamination of the concept of rationality itself.19 The practices of the consciousness - raising groups ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language least literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing
Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5 |
| Mitwirkende | Project Muse, JSTOR (Organization), University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 1979 |
| Original von | University of Michigan |
| Digitalisiert | 25. Apr. 2008 |
| Zitat exportieren | BiBTeX EndNote RefMan |