Im Buch
Ergebnisse 1-3 von 69
Seite 11
You feel that such a position would involve a male appropriation of feminist issues and that it would be dishonest to attempt to define the role of the female subject in the audience , because you can't put yourself in her place .
You feel that such a position would involve a male appropriation of feminist issues and that it would be dishonest to attempt to define the role of the female subject in the audience , because you can't put yourself in her place .
Seite 92
Symbolic elements , however , have their position and their existence in networks . The missing book and its position are linked together ( even if it's no longer custom- ary to put chains on folios ) by other books and archives , which ...
Symbolic elements , however , have their position and their existence in networks . The missing book and its position are linked together ( even if it's no longer custom- ary to put chains on folios ) by other books and archives , which ...
Seite 94
14 If they were simply of the Real , like stones or bodies , then their position would move with them and they could not be misplaced . Symbolic elements , however , have their position and their existence in networks .
14 If they were simply of the Real , like stones or bodies , then their position would move with them and they could not be misplaced . Symbolic elements , however , have their position and their existence in networks .
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing