Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 24
... position , while in the latter the voyeuristic position has been transformed . " To know " is a transformation of " to see , to look . " Q : You have spoken of the notion of drives at a distance : the scopic drive ( the desire for ...
... position , while in the latter the voyeuristic position has been transformed . " To know " is a transformation of " to see , to look . " Q : You have spoken of the notion of drives at a distance : the scopic drive ( the desire for ...
Seite 92
... position would move with them and they could not be misplaced . Symbolic elements , however , have their position and their existence in networks . The missing book and its position are linked together ( even if it's no longer custom ...
... position would move with them and they could not be misplaced . Symbolic elements , however , have their position and their existence in networks . The missing book and its position are linked together ( even if it's no longer custom ...
Seite 94
... position would move with them and they could not be misplaced . Symbolic elements , however , have their position and their existence in networks . The missing book and its position are linked together ( even if it's no longer custom ...
... position would move with them and they could not be misplaced . Symbolic elements , however , have their position and their existence in networks . The missing book and its position are linked together ( even if it's no longer custom ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing