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Seite 118
The grass and play apparatuses orchestrate the natural with the artificial , while a continuous appropriation of off - screen space reveals and then abandons a series of mother - child dyads . The voice - off , already established as ...
The grass and play apparatuses orchestrate the natural with the artificial , while a continuous appropriation of off - screen space reveals and then abandons a series of mother - child dyads . The voice - off , already established as ...
Seite 42
The identification of the woman with her mother that allows her to play her role as mother in respect to her son and her husband repeats the infantile identification of the daughter with her mother and consists of two phases : the pre ...
The identification of the woman with her mother that allows her to play her role as mother in respect to her son and her husband repeats the infantile identification of the daughter with her mother and consists of two phases : the pre ...
Seite 31
Her stern , silent look and changed demeanor suggest an actor who , stepping out of the play ( Alex's memory drama ) confronts the audience with the play's question . The scar that identifies her , for Alex and for us , like the ...
Her stern , silent look and changed demeanor suggest an actor who , stepping out of the play ( Alex's memory drama ) confronts the audience with the play's question . The scar that identifies her , for Alex and for us , like the ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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