Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 118
... play or work for the mother . It is socially defined ( in the most dominant patriarchal definition ) as play space , but it signifies work for the mother . In this way , the section works to define a major mode of operation of the film ...
... play or work for the mother . It is socially defined ( in the most dominant patriarchal definition ) as play space , but it signifies work for the mother . In this way , the section works to define a major mode of operation of the film ...
Seite 11
... play in literary language , in a completely new way however , unsuspected by our historians , sociologists , or theoreticians of literary production . Bellour : Don't you think you're risking , in this internal play of texts , what ...
... play in literary language , in a completely new way however , unsuspected by our historians , sociologists , or theoreticians of literary production . Bellour : Don't you think you're risking , in this internal play of texts , what ...
Seite 31
... play's question . The scar that identifies her , for Alex and for us , like the snakebite scars on the bodies of the ... plays mainly on spa- tial displacement and discontinuity . In Bad Timing , as the title insists , temporality is ...
... play's question . The scar that identifies her , for Alex and for us , like the snakebite scars on the bodies of the ... plays mainly on spa- tial displacement and discontinuity . In Bad Timing , as the title insists , temporality is ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing