Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 64
Seite 3
... particular discourse . The " running to and fro " of discurrere marks out a stage upon which - and a perimeter within which - action takes place , or a divergence is confined . If then , within discourse , alternative analyses of media ...
... particular discourse . The " running to and fro " of discurrere marks out a stage upon which - and a perimeter within which - action takes place , or a divergence is confined . If then , within discourse , alternative analyses of media ...
Seite 124
... particular mode of inmixing must frequently use unusual verbal juxtapositions , by which certain words are estranged from their more usual , extra- generic contexts . But the process we are trying to fix is that by which we recognize ...
... particular mode of inmixing must frequently use unusual verbal juxtapositions , by which certain words are estranged from their more usual , extra- generic contexts . But the process we are trying to fix is that by which we recognize ...
Seite 93
... particular , RW 2 , pp . 418 ff . 10. Readers familiar with French semiological theory will have recognized that the Saussurian distinction between langue , parole , and langage is at the origin of the distinc- tion made by Metz between ...
... particular , RW 2 , pp . 418 ff . 10. Readers familiar with French semiological theory will have recognized that the Saussurian distinction between langue , parole , and langage is at the origin of the distinc- tion made by Metz between ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing