Im Buch
Ergebnisse 1-3 von 64
Seite 3
Inherent in " discourse " is movement and , in movement , a chance to change course , to diverge from precedents and rules that antedate a particular discourse . The " running to and fro " of discurrere marks out a stage upon which ...
Inherent in " discourse " is movement and , in movement , a chance to change course , to diverge from precedents and rules that antedate a particular discourse . The " running to and fro " of discurrere marks out a stage upon which ...
Seite 124
... yield separately : The language with which SF accomplishes its particular mode of inmixing must frequently use unusual verbal juxtapositions , by which certain words are estranged from their more usual , extra- generic contexts .
... yield separately : The language with which SF accomplishes its particular mode of inmixing must frequently use unusual verbal juxtapositions , by which certain words are estranged from their more usual , extra- generic contexts .
Seite 93
particular sense given to it by Eisenstein in a large part of his theoretical developments , which is dealt with in detail in Chapter 4 . 6. In a fragment very probably intended to be inserted into the major essay on " Mon- tage ...
particular sense given to it by Eisenstein in a large part of his theoretical developments , which is dealt with in detail in Chapter 4 . 6. In a fragment very probably intended to be inserted into the major essay on " Mon- tage ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing