Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 121
... narrative identification which carried a look . And so , there was a constant play between narrative con- ventions and pleasurable looking in which a very strong difference between man and woman was written in - giving it meaning ...
... narrative identification which carried a look . And so , there was a constant play between narrative con- ventions and pleasurable looking in which a very strong difference between man and woman was written in - giving it meaning ...
Seite 13
... narrative , or more precisely , the narration within the narrative . Barthes : Is contemporary literature really uninterested in the narrative ? If it seems so to us , it is no doubt because we always think of narrative in the form of ...
... narrative , or more precisely , the narration within the narrative . Barthes : Is contemporary literature really uninterested in the narrative ? If it seems so to us , it is no doubt because we always think of narrative in the form of ...
Seite 14
... narrative , even if we don't call it that : we don't see that what needs to be destroyed is not narrative , but the logic of the dom- inant model . Furthermore we must not forget that the tasks of contemporary literature are multiple ...
... narrative , even if we don't call it that : we don't see that what needs to be destroyed is not narrative , but the logic of the dom- inant model . Furthermore we must not forget that the tasks of contemporary literature are multiple ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia articulation Barthes become Bellour Cahiers du cinéma camera castration Christian Metz cinema cognitive concept connotation construction critical critique cultural denotation desire dialectic diegesis diegetic discourse effect Eisenstein Eisensteinian example fact fantasy feminine feminism feminist fetishism film filmic filmmakers Foucault fragment frame Freud function genre Habermas Habermas's hermeneutics human identification ideological imaginary Ivan Jacques Lacan Jean-Louis Baudry kind Lacan language Laura Mulvey literary literature look male Marx Marxist meaning Melanie metaphor Mitch montage mother movement myth narrative nature notion object Oedipal organicism penis Penthesilea phallus political practices precisely problem produced psychoanalysis question relation relationship representation Roland Barthes Schroeter science fiction sense sequence sexual shot signifier social society specific spectator sphinx story structure Superman Suvin Syberberg symbolic theme theoretical theory things tion Ulrike Ottinger woman women words