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And so , there was a constant play between narrative conventions and pleasurable looking in which a very strong difference between man and woman was written in - giving it meaning precisely because it involved man looking at woman .
And so , there was a constant play between narrative conventions and pleasurable looking in which a very strong difference between man and woman was written in - giving it meaning precisely because it involved man looking at woman .
Seite 13
The science of literature is still literature . say a Bellour : You that your text on narrative takes a stand on literature without aiming at contemporary literature : in fact it accords an essential privilege to contemporary literature ...
The science of literature is still literature . say a Bellour : You that your text on narrative takes a stand on literature without aiming at contemporary literature : in fact it accords an essential privilege to contemporary literature ...
Seite 14
because we always think of narrative in the form of the dominant model , forgetting that poetic discourse , for example , is also narrative , even if we don't call it that : we don't see that what needs to be destroyed is not narrative ...
because we always think of narrative in the form of the dominant model , forgetting that poetic discourse , for example , is also narrative , even if we don't call it that : we don't see that what needs to be destroyed is not narrative ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language least literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing