Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 121
... narrative identification which carried a look . And so , there was a constant play between narrative con- ventions and pleasurable looking in which a very strong difference between man and woman was written in - giving it meaning ...
... narrative identification which carried a look . And so , there was a constant play between narrative con- ventions and pleasurable looking in which a very strong difference between man and woman was written in - giving it meaning ...
Seite 13
... narrative , or more precisely , the narration within the narrative . Barthes : Is contemporary literature really uninterested in the narrative ? If it seems so to us , it is no doubt because we always think of narrative in the form of ...
... narrative , or more precisely , the narration within the narrative . Barthes : Is contemporary literature really uninterested in the narrative ? If it seems so to us , it is no doubt because we always think of narrative in the form of ...
Seite 14
... narrative , even if we don't call it that : we don't see that what needs to be destroyed is not narrative , but the logic of the dom- inant model . Furthermore we must not forget that the tasks of contemporary literature are multiple ...
... narrative , even if we don't call it that : we don't see that what needs to be destroyed is not narrative , but the logic of the dom- inant model . Furthermore we must not forget that the tasks of contemporary literature are multiple ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing