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And so , there was a constant play between narrative con- ventions and pleasurable looking in which a very strong difference between man and woman was written in - giving it meaning precisely because it involved man looking at woman .
And so , there was a constant play between narrative con- ventions and pleasurable looking in which a very strong difference between man and woman was written in - giving it meaning precisely because it involved man looking at woman .
Seite 13
Bellour : You say that your text on narrative takes a stand on literature without aiming at contemporary litera- ture : in ... Actually you vio- lently devalue the narrative , or more precisely , the narration within the narrative .
Bellour : You say that your text on narrative takes a stand on literature without aiming at contemporary litera- ture : in ... Actually you vio- lently devalue the narrative , or more precisely , the narration within the narrative .
Seite 14
because we always think of narrative in the form of the dominant model , forgetting that poetic dis- course , for example , is also narrative , even if we don't call it that : we don't see that what needs to be destroyed is not ...
because we always think of narrative in the form of the dominant model , forgetting that poetic dis- course , for example , is also narrative , even if we don't call it that : we don't see that what needs to be destroyed is not ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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