Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 57
Seite 47
... montage , it is , I believe , the word most often used by Eisenstein . Still more important , of all the concepts developed and / or used during the twenties , it is the only one , again along with montage , to have survived all the ...
... montage , it is , I believe , the word most often used by Eisenstein . Still more important , of all the concepts developed and / or used during the twenties , it is the only one , again along with montage , to have survived all the ...
Seite 57
... montage and its embryo - the frame- characterized ? By collision . By the conflict of two fragments placed side by side . By conflict . By collision . ( " Outside the Frame , ' 1929 , RW 2 , p . 290 ) Naturally , the texts from which I ...
... montage and its embryo - the frame- characterized ? By collision . By the conflict of two fragments placed side by side . By conflict . By collision . ( " Outside the Frame , ' 1929 , RW 2 , p . 290 ) Naturally , the texts from which I ...
Seite 93
... montage which coincides with what is being suggested in the present work . He says that in the absence of the possibility of actually calculating all the parameters of a fragment , the danger of this form of montage would be that of fal ...
... montage which coincides with what is being suggested in the present work . He says that in the absence of the possibility of actually calculating all the parameters of a fragment , the danger of this form of montage would be that of fal ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing