Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
Im Buch
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Seite 28
... marks of enunciation 16 because they are not obvious . That would be the real problem with La Cecilia for me : the marks of the enunciation process are not obvious , but they are there , very subtle , very sophisticated , and certain ...
... marks of enunciation 16 because they are not obvious . That would be the real problem with La Cecilia for me : the marks of the enunciation process are not obvious , but they are there , very subtle , very sophisticated , and certain ...
Seite 29
... marks of enunciation in evidence , in La Cecilia , for example , the way the sound is used and the way the spatial relationships are organized within the static shot . Q : But does the ordinary spectator observe these very subtle marks ...
... marks of enunciation in evidence , in La Cecilia , for example , the way the sound is used and the way the spatial relationships are organized within the static shot . Q : But does the ordinary spectator observe these very subtle marks ...
Seite 37
... marks of enunciation ( i.e. , indicators of the presence of an enunciator and hence of the discursive situation ) have been effaced . According to Metz , the classical film presents itself as story rather than as discourse , to use ...
... marks of enunciation ( i.e. , indicators of the presence of an enunciator and hence of the discursive situation ) have been effaced . According to Metz , the classical film presents itself as story rather than as discourse , to use ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia articulation Barthes become Bellour Cahiers du cinéma camera castration Christian Metz cinema cognitive concept connotation construction critical critique cultural denotation desire dialectic diegesis diegetic discourse effect Eisenstein Eisensteinian example fact fantasy feminine feminism feminist fetishism film filmic filmmakers Foucault fragment frame Freud function genre Habermas Habermas's hermeneutics human identification ideological imaginary Ivan Jacques Lacan Jean-Louis Baudry kind Lacan language Laura Mulvey literary literature look male Marx Marxist meaning Melanie metaphor Mitch montage mother movement myth narrative nature notion object Oedipal organicism penis Penthesilea phallus political practices precisely problem produced psychoanalysis question relation relationship representation Roland Barthes Schroeter science fiction sense sequence sexual shot signifier social society specific spectator sphinx story structure Superman Suvin Syberberg symbolic theme theoretical theory things tion Ulrike Ottinger woman women words