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Seite 53
unnerving sight of woman's " no penis " resounds with meaning that is doubly profitable to male identity : woman signifies her castration , and the castration fear her sight inspires in males generates the blessedly invulnerable ...
unnerving sight of woman's " no penis " resounds with meaning that is doubly profitable to male identity : woman signifies her castration , and the castration fear her sight inspires in males generates the blessedly invulnerable ...
Seite 60
labels the fetishized female object of the male's powerful posses- sive and desiring gaze ) somehow fails to signify the range of characteristics associated with her " castration . " This failure is evident in attempts to force this ...
labels the fetishized female object of the male's powerful posses- sive and desiring gaze ) somehow fails to signify the range of characteristics associated with her " castration . " This failure is evident in attempts to force this ...
Seite 72
The only lover safe for male desire is the one who takes the place of the child the male fearfully remembers , and disowns , as himself : the meta- phorical " bird in the cage . " That is the final scene for the characters , but the ...
The only lover safe for male desire is the one who takes the place of the child the male fearfully remembers , and disowns , as himself : the meta- phorical " bird in the cage . " That is the final scene for the characters , but the ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing