Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 38
Seite 53
... male identity : woman signifies her castration , and the castration fear her sight inspires in males generates the blessedly invulnerable symbolic phallus . With Lacan , as with Freud , the sight of the castrated woman prepares the male ...
... male identity : woman signifies her castration , and the castration fear her sight inspires in males generates the blessedly invulnerable symbolic phallus . With Lacan , as with Freud , the sight of the castrated woman prepares the male ...
Seite 60
... male's powerful posses- sive and desiring gaze ) somehow fails to signify the range of characteristics associated ... male's " object of desire " resists the fixed metaphorical meaning he would assign her , and resonates with a ...
... male's powerful posses- sive and desiring gaze ) somehow fails to signify the range of characteristics associated ... male's " object of desire " resists the fixed metaphorical meaning he would assign her , and resonates with a ...
Seite 72
... male desire is the one who takes the place of the child the male fearfully remembers , and disowns , as himself : the meta- phorical " bird in the cage . " That is the final scene for the characters , but the final shot of the movie is ...
... male desire is the one who takes the place of the child the male fearfully remembers , and disowns , as himself : the meta- phorical " bird in the cage . " That is the final scene for the characters , but the final shot of the movie is ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing