Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 63
... looks . For despite the emphasis psychoanalytic film theory places on the powerful look , the look that captures and inscribes its object with the mark of its desire , in The Birds the look has its " dark side . " This dark side of the look ...
... looks . For despite the emphasis psychoanalytic film theory places on the powerful look , the look that captures and inscribes its object with the mark of its desire , in The Birds the look has its " dark side . " This dark side of the look ...
Seite 66
... look imagistically in the previous shots , but magically starts up as soon as Mitch sights her with the binocu- lars . Now the motor will allow her to continue her journey away from what she is looking at — a conflict of direction ...
... look imagistically in the previous shots , but magically starts up as soon as Mitch sights her with the binocu- lars . Now the motor will allow her to continue her journey away from what she is looking at — a conflict of direction ...
Seite 120
... look , which has just been mentioned . ) The looks exchanged articulate the discourse at the same time that they disarticu- late the space . In shots 26-27-28-29 , for example , it is quite obvious that Ivan's looks ( and his anger ) ...
... look , which has just been mentioned . ) The looks exchanged articulate the discourse at the same time that they disarticu- late the space . In shots 26-27-28-29 , for example , it is quite obvious that Ivan's looks ( and his anger ) ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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