Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 12
... literature . Bellour : If Blanchot transgresses science , he nevertheless transmits to us a kind of knowledge . But it is really a " science of literature " that is being proposed here . How do you conceive the relationship be- tween ...
... literature . Bellour : If Blanchot transgresses science , he nevertheless transmits to us a kind of knowledge . But it is really a " science of literature " that is being proposed here . How do you conceive the relationship be- tween ...
Seite 13
... literature and the discourse about lit- erature . The science of literature is still literature . Bellour : You say that your text on narrative takes a stand on literature without aiming at contemporary litera- ture : in fact it accords ...
... literature and the discourse about lit- erature . The science of literature is still literature . Bellour : You say that your text on narrative takes a stand on literature without aiming at contemporary litera- ture : in fact it accords ...
Seite 126
... literature Naturalistic Estranged SF ( & pastoral ) metaphysical : myth sub - literature of realism Historical folktale , fantasy Estranged pluridimensional realistic literature SF one dimensional sub - literature of realism myth ...
... literature Naturalistic Estranged SF ( & pastoral ) metaphysical : myth sub - literature of realism Historical folktale , fantasy Estranged pluridimensional realistic literature SF one dimensional sub - literature of realism myth ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing