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M : Yes , the kind of spectator who walks out has a different internal functioning . His secondary wishes and secondary ex- pectations are strongly disappointed , and so he is no longer able to maintain his primary wish - fulfillment .
M : Yes , the kind of spectator who walks out has a different internal functioning . His secondary wishes and secondary ex- pectations are strongly disappointed , and so he is no longer able to maintain his primary wish - fulfillment .
Seite 111
film , she is in a kind of prison - nest . Then , when her husband leaves , she has to confront the real and , in terms of everyday life , day - care and , specifically , the politics of her being a working mother .
film , she is in a kind of prison - nest . Then , when her husband leaves , she has to confront the real and , in terms of everyday life , day - care and , specifically , the politics of her being a working mother .
Seite 121
LM : What I was talking about in that article was the way in which visual pleasure was structured around the use of the image of the woman and a certain kind of narrative identification which carried a look .
LM : What I was talking about in that article was the way in which visual pleasure was structured around the use of the image of the woman and a certain kind of narrative identification which carried a look .
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing
Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5 |
| Mitwirkende Personen | University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 1979 |
| Original von | University of Michigan |
| Digitalisiert | 25. Apr. 2008 |
| Zitat exportieren | BiBTeX EndNote RefMan |