Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 79
Seite 22
... kind of desire he / she has ? M : Yes , the kind of spectator who walks out has a different internal functioning . His secondary wishes and secondary ex- pectations are strongly disappointed , and so he is no longer able to maintain his ...
... kind of desire he / she has ? M : Yes , the kind of spectator who walks out has a different internal functioning . His secondary wishes and secondary ex- pectations are strongly disappointed , and so he is no longer able to maintain his ...
Seite 111
... kind of prison - nest . Then , when her husband leaves , she has to confront the real and , in terms of everyday life , day - care and , specifically , the politics of her being a working mother . She then discovers this isn't just her ...
... kind of prison - nest . Then , when her husband leaves , she has to confront the real and , in terms of everyday life , day - care and , specifically , the politics of her being a working mother . She then discovers this isn't just her ...
Seite 121
... kind of locus of pleasure . There's another kind of visual pleasure at work in the mirror sequence of Riddles . Would you talk about that sequence ? LM : Well , the first thing is that towards the end of the film , the narrative thread ...
... kind of locus of pleasure . There's another kind of visual pleasure at work in the mirror sequence of Riddles . Would you talk about that sequence ? LM : Well , the first thing is that towards the end of the film , the narrative thread ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing