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Seite 91
... of his tragic alienation from others and intense feelings of impotence and hopelessness . Gladiator depicts a success ethic in decline . Hugo's desire for the traditional American values - independence , individual achievement , and ...
... of his tragic alienation from others and intense feelings of impotence and hopelessness . Gladiator depicts a success ethic in decline . Hugo's desire for the traditional American values - independence , individual achievement , and ...
Seite 95
He is the epitome of the individual who is totally self - seeking with no sense of moral or social responsibil- ity . This depiction of excessive individualism as leading to social and economic chaos and possible tyranny mirrors ...
He is the epitome of the individual who is totally self - seeking with no sense of moral or social responsibil- ity . This depiction of excessive individualism as leading to social and economic chaos and possible tyranny mirrors ...
Seite 109
mythic repetition for historical development , the replacement of " the immobility of an ever - identical moment " for time.41 The destruction of time was connected to the decline of the au- tonomous individual , claimed Adorno ...
mythic repetition for historical development , the replacement of " the immobility of an ever - identical moment " for time.41 The destruction of time was connected to the decline of the au- tonomous individual , claimed Adorno ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing