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Seite 19
with the situation in the Imaginary which is reconstructed - the Mirror Stage , the specular relationship , the duality - in the film viewing experience . And yet , cinema - the film - is a Symbolic construction - it's a discourse ...
with the situation in the Imaginary which is reconstructed - the Mirror Stage , the specular relationship , the duality - in the film viewing experience . And yet , cinema - the film - is a Symbolic construction - it's a discourse ...
Seite 122
is much more on the level of the poetic workings of the imaginary . We were interested in the moment when the camera films itself filming . It seems to be a crucial moment in the film and is located in a sequence that has layers of ...
is much more on the level of the poetic workings of the imaginary . We were interested in the moment when the camera films itself filming . It seems to be a crucial moment in the film and is located in a sequence that has layers of ...
Seite 116
According to Barthes , the dialectic of imaginary and real involved in the general process of figural representation : involves giving to the imaginary a formal guarantee of the real , but while preserving in the sign the ambiguity of a ...
According to Barthes , the dialectic of imaginary and real involved in the general process of figural representation : involves giving to the imaginary a formal guarantee of the real , but while preserving in the sign the ambiguity of a ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing