Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
Im Buch
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Seite 21
... identification at the same time . Q : Some theorists have argued that ruptures in secondary identification can break down the pure specularity of the spectator- screen relationship and displace it onto relations which are more intra ...
... identification at the same time . Q : Some theorists have argued that ruptures in secondary identification can break down the pure specularity of the spectator- screen relationship and displace it onto relations which are more intra ...
Seite 22
... identification concerns only the people who work with the film . Q : But you seem to imply that , by de - emphasizing the secondary identifications , primary identification would somehow be rein- forced , and that there would be a ...
... identification concerns only the people who work with the film . Q : But you seem to imply that , by de - emphasizing the secondary identifications , primary identification would somehow be rein- forced , and that there would be a ...
Seite 35
... identification . Identification with one's own look is secondary with respect to the mirror , i.e. , for a general theory of adult activities , but it is the foundation of the cinema and hence primary when the latter is under ...
... identification . Identification with one's own look is secondary with respect to the mirror , i.e. , for a general theory of adult activities , but it is the foundation of the cinema and hence primary when the latter is under ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia articulation Barthes become Bellour Cahiers du cinéma camera castration Christian Metz cinema cognitive concept connotation construction critical critique cultural denotation desire dialectic diegesis diegetic discourse effect Eisenstein Eisensteinian example fact fantasy feminine feminism feminist fetishism film filmic filmmakers Foucault fragment frame Freud function genre Habermas Habermas's hermeneutics human identification ideological imaginary Ivan Jacques Lacan Jean-Louis Baudry kind Lacan language Laura Mulvey literary literature look male Marx Marxist meaning Melanie metaphor Mitch montage mother movement myth narrative nature notion object Oedipal organicism penis Penthesilea phallus political practices precisely problem produced psychoanalysis question relation relationship representation Roland Barthes Schroeter science fiction sense sequence sexual shot signifier social society specific spectator sphinx story structure Superman Suvin Syberberg symbolic theme theoretical theory things tion Ulrike Ottinger woman women words