Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 23
Seite 48
... fragment globally . ( Ibid . , RW 2 , p . 56 ) Considering all the stimuli ( all the parameters ) of a fragment globally , to put them into relationship with those of another fragment , taken just as globally , does not really require ...
... fragment globally . ( Ibid . , RW 2 , p . 56 ) Considering all the stimuli ( all the parameters ) of a fragment globally , to put them into relationship with those of another fragment , taken just as globally , does not really require ...
Seite 49
... fragment ( its composition , and therefore , cf. infra , its effect ) . It is no accident that in the 1929 text ... fragment , both of them abundantly attested to in the Eisensteinian text ( even if never in these terms ) . First ...
... fragment ( its composition , and therefore , cf. infra , its effect ) . It is no accident that in the 1929 text ... fragment , both of them abundantly attested to in the Eisensteinian text ( even if never in these terms ) . First ...
Seite 51
... fragment like a " new point of view , differentiated from that of the [ preceding ] fragment " ( " Montage of Cine - Attractions , " 1925 ) ; that is , to construct each fragment like a new image of the material filmed , possessing its ...
... fragment like a " new point of view , differentiated from that of the [ preceding ] fragment " ( " Montage of Cine - Attractions , " 1925 ) ; that is , to construct each fragment like a new image of the material filmed , possessing its ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
4 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
analysis Anastasia articulation Barthes become Bellour Cahiers du cinéma camera castration Christian Metz cinema cognitive concept connotation construction critical critique cultural denotation desire dialectic diegesis diegetic discourse effect Eisenstein Eisensteinian example fact fantasy feminine feminism feminist fetishism film filmic filmmakers Foucault fragment frame Freud function genre Habermas Habermas's hermeneutics human identification ideological imaginary Ivan Jacques Lacan Jean-Louis Baudry kind Lacan language Laura Mulvey literary literature look male Marx Marxist meaning Melanie metaphor Mitch montage mother movement myth narrative nature notion object Oedipal organicism penis Penthesilea phallus political practices precisely problem produced psychoanalysis question relation relationship representation Roland Barthes Schroeter science fiction sense sequence sexual shot signifier social society specific spectator sphinx story structure Superman Suvin Syberberg symbolic theme theoretical theory things tion Ulrike Ottinger woman women words