Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 16
... forces between the two aspects of the split . Whenever you have a split , you have two sets of forces , because a split means that the subject is in some manner divided into two parts , two subjects . I think the difference between the ...
... forces between the two aspects of the split . Whenever you have a split , you have two sets of forces , because a split means that the subject is in some manner divided into two parts , two subjects . I think the difference between the ...
Seite 21
... forces within the spectator or filmmaker which no longer meet their secondary identification goal can reinforce ... forces . If you weaken one of the forces , it's difficult to avoid reinforcing the other one , because there is a balance ...
... forces within the spectator or filmmaker which no longer meet their secondary identification goal can reinforce ... forces . If you weaken one of the forces , it's difficult to avoid reinforcing the other one , because there is a balance ...
Seite 62
... forces of production had signified the technology potentially at the disposal of society ; these forces of production were contained within and constrained by the relations of production , which signified society's class structure . The ...
... forces of production had signified the technology potentially at the disposal of society ; these forces of production were contained within and constrained by the relations of production , which signified society's class structure . The ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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