Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
Im Buch
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Seite 16
... forces between the two aspects of the split . Whenever you have a split , you have two sets of forces , because a split means that the subject is in some manner divided into two parts , two subjects . I think the difference between the ...
... forces between the two aspects of the split . Whenever you have a split , you have two sets of forces , because a split means that the subject is in some manner divided into two parts , two subjects . I think the difference between the ...
Seite 62
... forces of production had signified the technology potentially at the disposal of society ; these forces of production were contained within and constrained by the relations of production , which signified society's class structure . The ...
... forces of production had signified the technology potentially at the disposal of society ; these forces of production were contained within and constrained by the relations of production , which signified society's class structure . The ...
Seite 120
... forces at work in the definition of motherhood ( the psychic forces of separation- anxiety , fantasy , desire and the social forces of economic produc- tion , political organizing , consumption , to name a few ) the film- makers create ...
... forces at work in the definition of motherhood ( the psychic forces of separation- anxiety , fantasy , desire and the social forces of economic produc- tion , political organizing , consumption , to name a few ) the film- makers create ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing