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At the point where the figure in the painting should be depicted as looking straight at us , a complex mirror effect occurs wherein the central figure of Mao generates a series of facsimiles which are likely to intersect the spectator's ...
At the point where the figure in the painting should be depicted as looking straight at us , a complex mirror effect occurs wherein the central figure of Mao generates a series of facsimiles which are likely to intersect the spectator's ...
Seite 21
The paradigm of this evolution is the vertical figure , the Greek Kouros , which stands independently from the ground and holds mastery over it . The vertical body is the primordial metaphor of ascension to the human , that is ...
The paradigm of this evolution is the vertical figure , the Greek Kouros , which stands independently from the ground and holds mastery over it . The vertical body is the primordial metaphor of ascension to the human , that is ...
Seite 136
as the lowest term in a certain topology35 ) that his representation as a feminine figure is brought into play . ... This is so , first of all , because it produces its figures in a transhistorical field which is properly speaking that ...
as the lowest term in a certain topology35 ) that his representation as a feminine figure is brought into play . ... This is so , first of all , because it produces its figures in a transhistorical field which is properly speaking that ...
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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