Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 44
Seite 5
... figure in the painting should be depicted as looking straight at us , a complex mirror effect occurs wherein the central figure of Mao generates a series of facsimiles which are likely to intersect the spectator's own representation of ...
... figure in the painting should be depicted as looking straight at us , a complex mirror effect occurs wherein the central figure of Mao generates a series of facsimiles which are likely to intersect the spectator's own representation of ...
Seite 21
... figure , the Greek Kouros , which stands independently from the ground and holds mastery over it . The vertical body is the primordial metaphor of ascension to the human , that is , to acquisition of language , labor , and law . The ...
... figure , the Greek Kouros , which stands independently from the ground and holds mastery over it . The vertical body is the primordial metaphor of ascension to the human , that is , to acquisition of language , labor , and law . The ...
Seite 136
... figure ( as is the case with the Mensheviks in October and of the kulak in The General Line ) , it is in a way precarious . Basmanov is not reduced to his femininity , any more than Anastasia is reduced to her figure of the Good Mother ...
... figure ( as is the case with the Mensheviks in October and of the kulak in The General Line ) , it is in a way precarious . Basmanov is not reduced to his femininity , any more than Anastasia is reduced to her figure of the Good Mother ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing