Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 9
... fact - has three kinds of main entrances : the linguistic one ( cinema as a discourse , history , or story , editing patterns , etc. ) ; the psychoanalytic one ; and the directly social and economic one . And perhaps on this point I ...
... fact - has three kinds of main entrances : the linguistic one ( cinema as a discourse , history , or story , editing patterns , etc. ) ; the psychoanalytic one ; and the directly social and economic one . And perhaps on this point I ...
Seite 50
... fact , " a " historical and social fact , a fact of civilization ( to use Marcel Mauss's formula ) . " And it is true , as Metz remarks in another essay , that the domination of " novelesque fiction " in cinema constitutes a peculiar ...
... fact , " a " historical and social fact , a fact of civilization ( to use Marcel Mauss's formula ) . " And it is true , as Metz remarks in another essay , that the domination of " novelesque fiction " in cinema constitutes a peculiar ...
Seite 33
... fact that by not letting any comments on female sexuality slip by ( i.e .: while still being fair to Freud ) , all of the unanswered enigmas glide to the surface as if by themselves . Consequently , she is able to pose those questions ...
... fact that by not letting any comments on female sexuality slip by ( i.e .: while still being fair to Freud ) , all of the unanswered enigmas glide to the surface as if by themselves . Consequently , she is able to pose those questions ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
analysis Anastasia articulation Barthes become Bellour Cahiers du cinéma camera castration Christian Metz cinema cognitive concept connotation construction critical critique cultural denotation desire dialectic diegesis diegetic discourse effect Eisenstein Eisensteinian example fact fantasy feminine feminism feminist fetishism film filmic filmmakers Foucault fragment frame Freud function genre Habermas Habermas's hermeneutics human identification ideological imaginary Ivan Jacques Lacan Jean-Louis Baudry kind Lacan language Laura Mulvey literary literature look male Marx Marxist meaning Melanie metaphor Mitch montage mother movement myth narrative nature notion object Oedipal organicism penis Penthesilea phallus political practices precisely problem produced psychoanalysis question relation relationship representation Roland Barthes Schroeter science fiction sense sequence sexual shot signifier social society specific spectator sphinx story structure Superman Suvin Syberberg symbolic theme theoretical theory things tion Ulrike Ottinger woman women words