Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 94
... expression , which has to do with the imaginary . But it is , perhaps , only through questioning , analyzing and re - placing this cultural identification that women can find a means to challenge the domin- ant order and its means of ...
... expression , which has to do with the imaginary . But it is , perhaps , only through questioning , analyzing and re - placing this cultural identification that women can find a means to challenge the domin- ant order and its means of ...
Seite 21
... expression plane is provided by the content plane and expression plane of a de- notative semiotic " ( my own italics this time ) . However these passages , and those similar to them , have so far not been reestablished in their original ...
... expression plane is provided by the content plane and expression plane of a de- notative semiotic " ( my own italics this time ) . However these passages , and those similar to them , have so far not been reestablished in their original ...
Seite 78
... expression , an expression parallel to the fascination of the song or scream and best described psychoanalytically as a kind of laugh.10 In Willow Springs the mise - en - scene of that scream / song , in short , shifts registers rather ...
... expression , an expression parallel to the fascination of the song or scream and best described psychoanalytically as a kind of laugh.10 In Willow Springs the mise - en - scene of that scream / song , in short , shifts registers rather ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing