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Seite 126
stains , markings and word imprints have a minimum sign value in themselves , but a maximum affective value in relation to my lived experience . In psychoanalytic terms , they are visual represen- tations of cathected memory traces .
stains , markings and word imprints have a minimum sign value in themselves , but a maximum affective value in relation to my lived experience . In psychoanalytic terms , they are visual represen- tations of cathected memory traces .
Seite 96
Women arrived at the insight that human experience , continuously re - enforcing the order of things , involves the intuitive and precognitive , the con- jectural as well as the logical , the senses as well as the emotions , the psyche ...
Women arrived at the insight that human experience , continuously re - enforcing the order of things , involves the intuitive and precognitive , the con- jectural as well as the logical , the senses as well as the emotions , the psyche ...
Seite 124
Did you involve the other women as well in determining what their experience could be ? I asked each one of the seven women what their wishes and their projects would be if they had the chance to start a new life .
Did you involve the other women as well in determining what their experience could be ? I asked each one of the seven women what their wishes and their projects would be if they had the chance to start a new life .
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Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing