Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 1-5Indiana University Press, 1979 |
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Seite 71
... existence of men is their actual life process . " 18 It is important to appreciate that the sense of Marx's ... existence of the communal way of life - it's self - expressing existence ; " 20 to disrupt one is to subvert the other . And ...
... existence of men is their actual life process . " 18 It is important to appreciate that the sense of Marx's ... existence of the communal way of life - it's self - expressing existence ; " 20 to disrupt one is to subvert the other . And ...
Seite 3
... existence of a kind of language of clothing , but it still needed a technical , and no longer metaphorical , content to be what we call , all too easily , “ language ” ( languages of cinema , of photography , of painting , etc. ) . From ...
... existence of a kind of language of clothing , but it still needed a technical , and no longer metaphorical , content to be what we call , all too easily , “ language ” ( languages of cinema , of photography , of painting , etc. ) . From ...
Seite 103
... existence beyond daily life as Superman . The stories thus affirm a form of pseudo- individualism which disguises the actual facts of corporate power . This is accomplished through a paradoxical function performed by the narrative : it ...
... existence beyond daily life as Superman . The stories thus affirm a form of pseudo- individualism which disguises the actual facts of corporate power . This is accomplished through a paradoxical function performed by the narrative : it ...
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
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according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing