Im Buch
Ergebnisse 1-3 von 79
Seite 21
Hjelmslev then takes as an example of connotation ( p . 118 ) the widely held view of language as the “ symbol ” of the nation , or dialect as the symbol of a region , and writes : “ Thus it is the semiotic schema ( ta ) and usage ( s ) ...
Hjelmslev then takes as an example of connotation ( p . 118 ) the widely held view of language as the “ symbol ” of the nation , or dialect as the symbol of a region , and writes : “ Thus it is the semiotic schema ( ta ) and usage ( s ) ...
Seite 120
Here are some examples . In shot 19 , when they hear the messenger coming , Anastasia and then Ivan designate the direction from which he will arrive , she with eye movement , Ivan with a head movement , towards the lower right hand ...
Here are some examples . In shot 19 , when they hear the messenger coming , Anastasia and then Ivan designate the direction from which he will arrive , she with eye movement , Ivan with a head movement , towards the lower right hand ...
Seite 121
For example , by means of the central position assigned to the bed and to its harsh lighting , forming a hole of light in the midst of what , in the second passage , will appear more clearly than ever as a den , a lair , a recess ( cf.
For example , by means of the central position assigned to the bed and to its harsh lighting , forming a hole of light in the midst of what , in the second passage , will appear more clearly than ever as a den , a lair , a recess ( cf.
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
BERKELEY JOURNAL FOR THEORETICAL STUDIES IN MEDIA AND CULTURE | 7 |
The Order of Cinematographic Discourse | 39 |
Jürgen Habermas and | 59 |
Urheberrecht | |
4 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
according analysis appears attempt become beginning body called castration character cinema communication complex concept concerned connotation construction continues course critical cultural desire dialectic diegesis discourse effect Eisenstein elements example existence experience expression fact fiction figure film finally forces frame Freud function give hand human idea ideological imaginary important individual interest issues Italy Ivan kind knowledge language least literature look male marks Marxism material meaning montage mother movement narrative nature never notion object once particular play political position possible practices precisely present problem produced question reference relation relationship remains representation represents seems sense sequence sexual shot signifier situation social society space speak specific spectator story structure Superman symbolic takes theory things tion tradition whole woman women writing